有一些蛮重要的桥段长片里并没有留，片头和孙女在计程车上、片尾一个人计程车上唱K和短片一致。长片里也能看得出来导演刻意把故事塑造成了女性群像，反而没有了短片的深刻韵味。甚至我觉得淑芳阿姨唱得同一首《孤味》都没有短片里更动人。

乐呵乐呵还不错啊，女性私密紧致视频虽然有的地方挺尴尬。夏洛特烦恼也很尴尬咋那么高的分？

不是我拉男女对立啊。当屏幕上出现 “贾玲 执导”字样的时候，就比起那些拍了几个直男癌片子就写“××× 导演作品”的，要真诚多了。 “作品”这个词是自己叫的吗。。

做我们行业所偏执喜爱的电影cut➕花絮cut➕二三级采访对象访谈录，以及温暖明亮的意大利胶片色➡️和，老师第一次面基！【女性私密紧致视频】

Your typical nice looking, "heart warming" A24 flick...unrealistically precocious kid paired with confused middle-aged man and through turbulence and conflicts they gradually learn from each other and cherish the experience forever --- I have seen this one many times before. The "it's okay to yell, and then yelling out loud" scene in particular is soooo much of a cliche. Cinematography is alright but not really impressive, watching this back to back with Red Rocket the difference is so obvious (ok B&W is at disadvantage but still).The interview bits aren't integrated organically into the story, and it feels like the feel-good, "heartfelt" material got mixed in just for audience appeal.